당신은 주제를 찾고 있습니까 “hummel fantasie viola – J. N. Hummel – Fantasie for Viola and Orchestra, Op. 94“? 다음 카테고리의 웹사이트 https://ppa.charoenmotorcycles.com 에서 귀하의 모든 질문에 답변해 드립니다: ppa.charoenmotorcycles.com/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Hanna Lee 이(가) 작성한 기사에는 조회수 6,382회 및 좋아요 163개 개의 좋아요가 있습니다.
hummel fantasie viola 주제에 대한 동영상 보기
여기에서 이 주제에 대한 비디오를 시청하십시오. 주의 깊게 살펴보고 읽고 있는 내용에 대한 피드백을 제공하세요!
d여기에서 J. N. Hummel – Fantasie for Viola and Orchestra, Op. 94 – hummel fantasie viola 주제에 대한 세부정보를 참조하세요
All about Viola II
2020. 11. 17 Seoul Arts Center IBK Chamber hall
Viola. Hanna Lee
Chamber Orchestra
1st Violin 김지윤 권명혜 강정은 윤예진
2nd VIolin 이우일 양윤정 김채원
Viola 정승원 윤소희 장희재
Cello 심준호 박고운
Bass 김만기
Clarinet 심규호 강석원
hummel fantasie viola 주제에 대한 자세한 내용은 여기를 참조하세요.
Potpourri for Viola and Orchestra, Op.94 (Hummel … – IMSLP
Potpourri for Viola and Orchestra, Op.94 (Hummel, Johann Nepomuk). Genre Categories, Potpourris; For viola, orchestra; Scores featuring the viola; [2 more.
Source: imslp.org
Date Published: 8/30/2022
View: 276
Hummel: Fantasie for Viola and Orchestra (Solo Part with …
Buy Hummel: Fantasie for Viola and Orchestra (Solo Part with Piano Reduction): Viola – Amazon.com ✓ FREE DELIVERY possible on eligible purchases.
Source: www.amazon.com
Date Published: 7/24/2022
View: 3991
Johann Nepomuk Hummel’s Potpourri op. 94 for Viola and …
That Hummel’s Potpourri is known today and popular as a “Fantasy” in a rather garbled form amongst students, professionals and music lovers ( …
Source: www.henle.de
Date Published: 11/7/2022
View: 1931
Hummel: Fantasy for viola and orchestra (reconstruction …
Listen to Hummel: Fantasy for viola and orchestra (reconstruction Fernand Oubradous) on Spotify. Johann Nepomuk Hummel · Song · 2018.
Source: open.spotify.com
Date Published: 9/20/2022
View: 3757
주제와 관련된 이미지 hummel fantasie viola
주제와 관련된 더 많은 사진을 참조하십시오 J. N. Hummel – Fantasie for Viola and Orchestra, Op. 94. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 hummel fantasie viola
- Author: Hanna Lee
- Views: 조회수 6,382회
- Likes: 좋아요 163개
- Date Published: 2020. 11. 27.
- Video Url link: https://www.youtube.com/watch?v=NIsrJexUpTM
Potpourri for Viola and Orchestra, Op.94 (Hummel, Johann Nepomuk)
Pub lisher . Info. Leipzig: C.F. Peters , n.d.(ca.1820). Plate 1644. Copyright Misc. Notes File #330593: low resolution color images.
Original images: ca.400dpi, color jpg files approx. 4160 by 5500 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (file #456590) Purchase Javascript is required for this feature.
Amazon.com
Enter the characters you see below
Sorry, we just need to make sure you’re not a robot. For best results, please make sure your browser is accepting cookies.
Johann Nepomuk Hummel’s Potpourri op. 94 for Viola and Orchestra – for your kind attention!
To my great joy, this year and last year the wonderful Antoine Tamestit has been heard several times in concert with a work that has long been completely unknown, even to connoisseurs of the viola repertoire: Johann Nepomuk Hummel’s Potpourri op. 94 for viola und orchestra.
‘Although it must by far matter the most to me to satisfy the connoisseurs: yet the non-connoisseur must also matter to me’, Hummel wrote in 1828 in his Anweisung zum Piano-Forte-Spiel [Instructions for Playing the Pianoforte]. And throughout his life he compositionally served in fact two worlds: As Grand Ducal Kapellmeister at the Weimar court, for instance, he attended to the established “serious” genres – sonatas, piano trios, solo concertos, but also masses and cantatas – as well as also equally to the appealing popular forms – dances of all kinds, amusements, bagatelles, serenades and fantasias. Belonging to the latter category at that time were also the extremely popular potpourris. For composers, writing them was often an easy finger exercise. Because the essential substance of these miscellaneous musical attractions were the “hit” tunes borrowed from well-known operas, appended to which with more or less effort were introductions, interludes and finale. So, acoustical bouquets were created with minimal outlay for singing and whistling along.
Hummel’s Potpourri op. 94 (HN 838) of 1820, containing about 60 percent borrowed music, also initially follows this blueprint and features popular melodies from Mozart’s Don Giovanni, Nozze di Figaro and Entführung aus dem Serail as well as from Rossini’s Tancredi. They are framed by a very successful Grave introduction and a Rondo closing section, offering an effective last dance. Even these two newly composed parts show that Hummel was able to do far more than mediocre arrangers at that time. In this potpourri, though, he also did not want to pander completely to the tastes of the “non-connoisseur” and therefore placed, in addition, a very “serious” fugue (!) exactly in the middle of the composition. So as not to bore the violist in all this, opus 94 is full of effective, sometimes really virtuosic passages.
If, with the interspersed fugue, Hummel still wanted to provide “connoisseurs” with something of substance, then there the publisher, C. F. Peters in Leipzig, was considerably more sceptical. It was presumably he who urged the composer before publication of the work in 1822 to agree to a “jump instruction” in the music, which would eliminate just this “disturbing” fugue from performance. Yet even this measure could not prevent the potpourri from falling into complete oblivion during the course of the 19th century – for example, no reprint of any kind by other publishing houses can be verified. The same fate also befell the version of the work alternatively scored for cello, presumably authorised by Hummel and appearing in print at the same time.
That Hummel’s Potpourri is known today and popular as a “Fantasy” in a rather garbled form amongst students, professionals and music lovers (take a look at the innumerable videos on YouTube), is probably owing to two publications of the 20th century. This fantasy version, consisting of only the introduction, the Don Giovanni section and the last-dance rondo, first appeared in 1900 in a Sammlung ausgewählter Solo-Werke für Viola, zusammengestellt, mit Bogenstrichen und Fingersätzen versehen von Clemens Meyer [Collection of Selected Solo Works for Viola, Compiled with Bowings and Fingerings by Clemens Meyer] (Edition Fischer No. 3253, volume 1). And it wasn’t until 1973 that a modern music text of this version from Musica Rara finally saw the light of day. Ever since, the fantasy has become, above all, an integral part of university life. Its “mother”, however, the Potpourri, has up until today lived a shadowy existence.
Perhaps our Urtext edition, published in 2007, can do some good here – together with the Kunzelmann edition produced a few years ago by the highly respected, now late Franz Beyer. No less than Tabea Zimmermann has added Fingerings and Bowings to our edition (an unmarked part is also included). And in our Henle Library App – and only there! – Antoine Tamestit also makes his contribution. You, dear violists, are thus well equipped to breathe new life into the Potpourri – maybe, even along with the fugue!
키워드에 대한 정보 hummel fantasie viola
다음은 Bing에서 hummel fantasie viola 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 J. N. Hummel – Fantasie for Viola and Orchestra, Op. 94
- hanna lee
- viola
- violist
- 이한나
- 비올리스트
- 비올라
- korean violist
J. #N. #Hummel #- #Fantasie #for #Viola #and #Orchestra, #Op. #94
YouTube에서 hummel fantasie viola 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 J. N. Hummel – Fantasie for Viola and Orchestra, Op. 94 | hummel fantasie viola, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
