Jim Dine Five Feet Of Colorful Tools | Jim Dine And The Ordinary Object – Theartproject (2018) Chad Brown 68 개의 가장 정확한 답변

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An Ode to Jim Dine, Pop Art, artist, printmaker, painter, tools, and paint brushes.
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Five Feet of Colorful Tools by Jim Dine – Obelisk Art History

Five Feet of Colorful Tools is an Abstract Expressionist Oil on Canvas Painting created by Jim Dine in 1962. It lives at the MOMA, Museum of Modern Art in …

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Source: arthistoryproject.com

Date Published: 4/24/2021

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Jim Dine, Five Feet of Colorful Tools (1962) – einbahnstrasse

«Five Feet of Colorful Tools,» crowding in all respects the top of this painting «with board and objects,» has as much practical density as …

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Source: einbahnstrasse.wordpress.com

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Jim Dine – Five Feet of Colorful Tools (1962) – Pinterest

Jim Dine – Five Feet of Colorful Tools (1962). Share the art you love, follow posts by others, create your own social art network …

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Five Feet of Colorful Tools – Micaela Marie. – The Artist.

Image derived from: Dine, Jim. Five Feet of Colorful Tools. 1962. Oil Painting. The Museum of Modern Art, New York, New York. Web.

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Five Feet of Colorful Tools by Jim Dine – BuyPopArt.com

Five Feet of Colorful Tools by Jim Dine | Art Reproductions Pop Art Jim Dine | BuyPopArt.com.

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주제에 대한 기사 평가 jim dine five feet of colorful tools

• Author: theartproject
• Views: 조회수 10,748회
• Likes: 좋아요 233개
• Date Published: 2018. 12. 8.
• Video Url link: https://www.youtube.com/watch?v=-5jK7S3CANk

Jim Dine Five Feet of Colorful Tools 1962

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Five Feet of Colorful Tools

Artwork submitted by Rachel C.

Leda and the Swan Cy Twombly, 1962

Memory of the Banks of l’Oise Berthe Morisot, 1863

Leda and the Swan Cy Twombly, 1962

More Dine Abstract Expressionist Artwork Oil on Canvas Artwork Made in 1962

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Jim Dine, Five Feet of Colorful Tools (1962)

Jim Dine, Five Feet of Colorful Tools (1962)

Tools

Here associations are more explicit, although that may have only to do with the fact that one’s information of the Dine family’s involvement with classic hardware tools —they had a store in Cincinnati—is both provocative and secure. It was the substantial factor in the family’s economy. The young artist worked occasionally in the store relating. Tools are both insistent and functional, suggest a complexly ranging physical environment and also keep the stability of ‘home,’ are familiar and strange.

He obviously thought about them a good deal and if the hearts were and are the emotional weather of his life, the robes the attempt to see oneself not only as others might see one but as that sight given back, then tools are somehow what one does and can do. Or, perhaps better, one can recognize things are done and these things do them. The occasional presence of a glove in the company, in «Untitled (1973),» for example, makes clear the transitional factor of agency, the who does what with what. The tools are forever. At times they are far more than what their function, taken literally, will provide for and two hammers with immensely elongated handles become «The Hammer Doorway.» How can one confidently propose this is simply a metaphor for what hammers can make, or a play on the visual suggestions of a hammer head, or even some threatening possibility there is to be violence ‘inside’?

At times the tools are codifying anchor for a reality—the artist’s whimsical and perceptive understanding of the powers of order—that includes a solid emphasis upon all manner of literal and abstract thing. «Five Feet of Colorful Tools,» crowding in all respects the top of this painting «with board and objects,» has as much practical density as people waiting for a subway and as curiously evident a sense of time as old coats hung in a closet. All the echoic layering is, one would think, a good deal more than simple memories. If «a place for everything and everything in its place» were ever to have a chance in this world, this painting would still come to haunt it. The act of hanging things up, putting things back, respecting things the way they were, is all wound in here in a way neither ironic nor pragmatic. Even who hung them up is very much a question.

Still the presence of tools is remarkably particular and common, even when they are in situations of transformation («The Hammer Doorway») or, in some sense, visually incomplete («Untitled (Pliers)»). They also take place in the painting, drawing, assemblage, etc., in a very matter-of-fact way, upright, either sitting firmly on bottom margin or plane, or else hung in like manner. Clearly they are the things that do work and can, however various, echoing and unlocated one’s own relation to them may sometimes be.

Robert Creeley, «Jim Dine/Five Themes», in The Collected Essays of Robert Creeley (University of California Press, 1989)

Five Feet of Colorful Tools

Five Feet of Colorful Tools I am very drawn into the conceptual insightfulness of this piece and I think it conveys a lot of meaning. To me, the tools symbolize the idea of an artist having the ability to create anything that they desire. I also think this is powerful because the tools do not have to apply to just artists. Anyone has the ability to use tools (physically or more mentally) to change their lives and make an impact on the world in one way or another. I am drawn to the differentiation of hues used for the tools. The colors are significant in this piece, because they lie within the tools, and the piece is conveying the idea that creativity derives from your tools and how much use you make out of them. I also think it is significant to the concept that the tools are hanging higher up, because to me this conveys the idea of through using your tools to create new things, you can take yourself to higher place. I also think the white wall in the background is great, because it creates a needed emphasis on the tools. This piece is simplistic in a way, but I really enjoy and appreciate the concept behind this piece. I think this piece is very powerful, and I think the concept applies to anyone – no matter what they do.

Image derived from: Dine, Jim. Five Feet of Colorful Tools . 1962. Oil Painting. The Museum of Modern Art, New York, New York. Web. 17 Oct 2013. .

About the Inspirationist

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Five Feet of Colorful Tools

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Five Feet of Colorful Tools Jim Dine print in 11 x 14 mount ready to frame

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