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Cast
Manon Justine Summers
De Grieux Steven Heathcote
Lescaut Nigel Burley
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Burley’s bulging disc a blow to ballet – The Age
A bulging disc forced Australian Ballet principal Nigel Burley off the dance floor in May – now he has announced his premature retirement …
Source: www.theage.com.au
Date Published: 10/9/2021
View: 1331
ARCHITANZ | Nigel Burley
After graduate The Australian Ballet School in Melbourne, Nigel joined the Australian Ballet Company. He became a soloist in 1994 and Senior Artist in 1995. In …
Source: www.a-tanz.com
Date Published: 11/25/2021
View: 1460
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주제에 대한 기사 평가 nigel burley ballet
- Author: judith booth
- Views: 조회수 925회
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- Date Published: 2014. 3. 19.
- Video Url link: https://www.youtube.com/watch?v=8BCW1JYAAW4
Burley’s bulging disc a blow to ballet
A bulging disc forced Australian Ballet principal Nigel Burley off the dance floor in May – now he has announced his premature retirement from the stage.
He told AB artistic director David McAllister and general manager Richard Evans of the decision on Friday morning at a meeting originally set to renegotiate his contract.
The disc had been troubling Burley for the past 10 months. “I think I’ve known for a while now this was something I couldn’t continue with,” he said. “It’s not great. It’s certainly not how I planned the last few years of my career.
Nigel Burley
Nigel Burley
After graduate The Australian Ballet School in Melbourne, Nigel joined the Australian Ballet Company. He became a soloist in 1994 and Senior Artist in 1995. In 1998, he moved to THARP! The Twyla Tharp Dance Company in New York and. In 1999, he joined The Royal Ballet in London as a first soloist, and then he became a principal aartist in The Australian Ballet, Melbourne in 2001. After 2003, he has started teaching for young dances. From 2005, he is the Head of Classical Ballet at McDonald College and the Artistic Director of Premier State Ballet in Sydney.
Nigel Burley – DanceTabs
Rawlins, 39, shared the numerous curtain calls with Colin Peasley, who must surely have broken some records for the longest full-time dancing career with one ballet company in history. His first appearance with the Australian Ballet was in Swan Lake in November 1962…
An Australian in New York
Austalian Dimitri Kleioris tells Susan Reiter about the path that led him to the lead role on Broadway.
Dimitri Kleioris in New York’s Central Park. Photo: Jade Young.
It wasn’t exactly typecasting when the role of Jerry Mulligan, the central figure in the acclaimed Broadway musical An American in Paris, went to Dimitri Kleioris – an Australian. But for the final months of the show’s 18-month run (it closed in early October), Kleioris played the demanding role with robust charm, acting and singing as well as dancing extensively, as he romanced the winsome young French woman played by Leanne Cope – a Royal Ballet dancer who had been with the show since its inception.
Inspired by the celebrated 1951 film – in which Gene Kelly created one of his most iconic roles – the musical was directed and choreographed by Christopher Wheeldon, and features intricate choreography requiring top-level ballet talent. (A London production will open in March.)
Making his Broadway debut in this leading-man role is the latest twist in Kleioris’s nearly three years in New York, which demonstrates that expectations are often upended, while the unexpected can materialise out of the blue.
At an interview in a midtown Manhattan café, a few days after American in Paris had played its final performance, the young dancer is still taking stock of his unplanned move into musical theatre. “I don’t think it’s hit me yet,” he says of the show, which had been his workplace since January, having played its final performance. I don’t think my brain has comprehended what I’ve just done. It feels very surreal.” He is contemplating his next moves – both professionally and geographically.
Kleioris loved dancing from an early age – “It was the only thing I ever wanted to do, as a kid,” he recalls – and his interest never wavered. His focus was on tap and jazz dance. He didn’t encounter ballet until he entered the McDonald College of Performing Arts in Sydney at age 14.
McDonald offered a ballet stream, and the young dancer decided he’d pursue that while continuing his jazz and tap, to become a better overall dancer. In his third year, his teacher, Nigel Burley, prepared a student production of Giselle, and tapped Kleioris (who at that point had never seen the ballet) to play Albrecht. That required him to focus exclusively and intensively on classical ballet for that year – not an appealing prospect.
But Kleioris soon experienced a radical shift. “Within three months, I fell in love with ballet. Towards the end of that year, a friend of mine was auditioning for the Australian Ballet School (ABS), and said I should come.”…
This is an extract from an article in the Dec/Jan issue of Dance Australia… out very soon! Buy Dance Australia at your favourite magazine retailer or subscribe here, or purchase an online copy via the Dance Australia app.
Top photo: Dimitri Kleioris in An American in Paris. Photo: Matthew Murphy.
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