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Johann Sebastian Bach
Scottish Camber Orchestra
Robin Miller, oboe
Conductor: Oscar Shumsky
Recorded 1984
Allegro: 0:00
Adiago 5:11
Allegro: 10:51
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Robin Miller Oboist | lonarcfoundation
He moved to Scotland in 1976 to play principal oboe with the Scottish Chamber Orchestra. He is fondly remembered by many of the SCO players and audience members …
Source: www.lonarcfoundation.com
Date Published: 12/28/2022
View: 6519
Happy 75th Birthday Robin Miller (1942-2014)
I first met Robin Miller in the late 1970’s. He was the principal oboe of the newly created Scottish Chamber Orchestra, based in Edinburgh …
Source: www.lonarcoboetrio.com
Date Published: 10/6/2021
View: 1488
Robin Miller on Apple Music
Find top songs and albums by Robin Miller including Strathclyde Concerto No. 2 for Cello, Op. 131: I. Moderato, … 1 for Oboe, Op. 128: II. Adagio and more.
Source: music.apple.com
Date Published: 8/24/2022
View: 8865
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주제와 관련된 더 많은 사진을 참조하십시오 BWV 1060 – Concerto for Oboe and Violin in C minor. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 robin miller oboe
- Author: Cedar Drawers
- Views: 조회수 6회
- Likes: 좋아요 없음
- Date Published: 2022. 1. 2.
- Video Url link: https://www.youtube.com/watch?v=yqlO4pVm34U
Robin Miller Oboist
Robin Miller (1942-2014)
Robin Miller was an extraordinarily naturally gifted musician whose delicate and sensitive phrasing was often perfect for interpreting the works of the classical composers.
Sadly in 1989, Robin had to stop playing due to a debilitating illness.
He moved to Scotland in 1976 to play principal oboe with the Scottish Chamber Orchestra. He is fondly remembered by many of the SCO players and audience members, particularly for his performances and recording of Sir Peter Maxwell Davies Strathclyde Concerto No 1, which was written for him. He is also remembered in his recordings of Vivaldi and Handel. Until recently, Robin was a regular in the audience at SCO concerts in St Andrews, where he made his home after leaving the SCO.
After graduating from the RAM, where he studied with Neil Black, he was quickly appointed to become principal oboe with Ballet Rambert, a position Joseph Sanders now holds. Then moving swiftly on to Sadlers Well Orchestra, City of Birmingham Symphony Orchestra, BBC Concert Orchestra, and then co-principal with BBC Symphony Orchestra under Pierre Boulez.
He was a founder member of the Nash Ensemble and also played with Janet Craxton in early London Sinfonietta recordings with Stockhausen.
He experimented with other genres including prog rock with King Crimson in 1970 and features on their album Lizard alongside jazz pianist Keith Jarrett and Yes vocalist Jon Anderson.
Judy was lucky enough to meet Robin in 1978 commencing lessons with him before coming down to London to study at the RAM in 1981. Joseph Sanders also deputised for Robin during his last days of professional playing and after he left the SCO.
Judy would like to believe that Robin’s style of playing and musicianship can be heard directly in the Lonarc Oboe Trio performances. We therefore should like to dedicate our early Oboe Trio recordings to the abiding memory of this gentle, generous and beautiful musician, who was forced to stop performing far too soon.
Robin Miller
Profile:
Classical oboe player (1946-2014).
Founding member of The Nash Ensemble, was also principal oboe player with the Scottish Chamber Orchestra from 1976-1989.
Experimented with other genres including prog rock with King Crimson.
Robin Miller
In leafy Burgh House (pictured) a concert by the Lonarc Trio celebrated the life of British oboist Robin Miller (1942-2014). I wasn’t going to miss this, as Robin had been my oboe teacher during my last two years at school, a period when he became co-principal oboe of the BBC Symphony Orchestra and also played with a wild new group called the London Sinfonietta. I can even remember him recording a track with Robert Fripp of King Crimson.
Just thinking about this period brought back not just Robin, but the incredible wave of musical creativity that hit London during those years. As a schoolgirl from the outer suburbs, I already knew I was fortunate to be experiencing it via my oboe lessons, even when dragging myself through the Gillet Studies (don’t ask). At the BBCSO Robin worked daily with their then principal conductor Pierre Boulez, and he would come home with amazing anecdotes. ‘Boulez asked us to play a note of shimmering golden fire, for as long as possible, sounding all round the universe…’ (this may have been the legendary day the BBCSO decided to tackle Stockhausen’s Setz die Segel zur Zonne.)
Suave and witty in person, Robin was also an actual craftsman, able to approach the fraught area of reed-making with considerable technical skill. Introducing this concert by the Lonarc Trio, Mary Miller rightly pointed out the litter of oboe stuff, Rizla papers, water containers, reed knives on the floor beneath the performers’ feet, extremely familiar to her from her years married to an oboist. The Lonarc Trio, two oboes and cor anglais, play Mozart-era original music. We learned that this repertoire (including a Beethoven Trio) bloomed thanks to the recent invention of the cor anglais, whose name should in fact be ‘cor angelique’. I marvelled at the stamina of these fine professionals, able to play their physically exhausting instruments continuously for ninety minutes, with unfailing sprightliness and invention.
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