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I. Freylakh (0:00)
II. March (4:11)
III. Nigun (10:29)
IV. Kozatske (15:16)
Heewon Uhm, violin
Mary Fortino, clarinet
Xiaoya Liu, piano
Stamps Auditorium, University of Michigan

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Trio for Clarinet, Violin and Piano (Piano Score and Part

Clarinetist Dav Shifrin first invited Schoenfeld to compose a trio for this combination of instruments in 1986, however, being engaged at the time with a …

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Trio for Clarinet, Violin & Piano – Milken Archive of Jewish Music

In 1986 the well-known clarinetist Dav Shifrin invited Schoenfield to compose a trio for clarinet, violin, and piano, but since he was engaged at the time …

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Schoenfeld: Trio for Clarinet, Violin and Piano (Set of Parts)

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Schoenfield: Trio for Clarinet, Violin, and Piano

Schoenfield: Trio for Clarinet, Violin, and Piano · Dav Shifrin. Clarinet · Ida Kavafian. Violin · Anne-Marie McDermott. Piano …

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Trio For Clarinet, Violin And Piano By Paul Schoenfeld

Paul Schoenfeld (formerly Schoenfield) composed the Trio for Clarinet, Violin and Piano in 1990. Clarinestist Dav Shifrin first invited Schoenfeld to …

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SCHOENFELD: Trio for Clarinet Violin and Piano, movements …

Amallegro of Auckland perform at the final of the NZCT Chamber Music Contest 2022, Auckland Town Hall, 6 August 2022.

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Paul Schoenfeld – Trio for Clarinet, Violin and Piano: I. Freylakh

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Paul Schoenfeld Trio for Clarinet, Violin and Piano (1990)
Paul Schoenfeld Trio for Clarinet, Violin and Piano (1990)

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  • Date Published: 2019. 2. 13.
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Schoenfeld – Trio for Clarinet, Violin and Piano (Piano Score and Part

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SKU: MIG10

Paul Schoenfeld (formerly Schoenfield) composed the Trio for Clarinet, Violin and Piano in 1990. Clarinetist David Shifrin first invited Schoenfeld to compose a trio for this combination of instruments in 1986, however, being engaged at the time with a number of other composition projects, it wasn’t until 1990 that this work came to fruition. It is in four movements: Freylakh, March, Nigun, and Kozatske.

Instrumentation:

Clarinet (in B-flat)

Violin

Piano

This product page is for both the piano score and parts.

Trio for Clarinet, Violin & Piano

Tracks

Play Track Time I. Freylakh 03:58 II. March 05:54 III. Nigun 05:21 IV. Kozatzke 04:03

Liner Notes

In 1986 the well-known clarinetist David Shifrin invited Schoenfield to compose a trio for clarinet, violin, and piano, but since he was engaged at the time with a number of other projects, it was only in 1990 that he began sketching out the work. For the composer, the endeavor echoed a long-held interest in creating music aimed at celebratory Hassidic gatherings and weekday or weeknight festivities as well as at classical chamber music concert audiences completely outside the Hassidic milieu. This posed an aesthetic challenge, for the music would have to be entertaining and artistic at the same time—precisely the kind of challenge Schoenfield has welcomed in fashioning many of his compositions. The resulting Trio for Clarinet, Violin & Piano is an ingenious blend of artistic ensemble, instrumental virtuosity, and deliberately fragmented references to melodies that might well have been heard at various Hassidic courts in Europe. Many of those courts regularly employed or invited purely instrumental bands of klezmorim for their celebrations. Thus, this piece features inflections and ornaments typical of the clarinet playing in those bands, in both Europe and America. But much of the writing for all three instruments here goes well beyond such folk idioms in its sophistication, recalling moments in chamber music by composers such as Shostakovich, Prokofiev, and Bartók.

The first movement, Freylakh, is so titled because of its melodic and rhythmic representation of one of the best-known dances among eastern European Jewry. Although it is not especially or exclusively Hassidic, it was heard at Hassidic courts in the context of festivities. The frenetic energy and intensity in this work, however, generally exceeds that of any performance of a freylakh by klezmorim in the context of entertainment or dance accompaniment. From the outset, it is clear that this is primarily a concert work rather than Gebrauchsmusik, regardless of the nature of its audience. Schoenfield has described March, the second movement, as “bizarre and somewhat diabolical.” Recalling and manipulating known folk motifs, its melodic and rhythmic material reflects a typical march at a Hassidic court during a festive occasion. The third movement is titled Niggun in reference to mystical, deeply spiritual Hassidic melos in general. The final movement, Kozatzke—a Russian Cossack dance often adopted by Jews at wedding celebrations—incorporates bits of both Russian and eastern European Jewish dance tunes.

By: Neil W. Levin

Credits

Length: 19:22

Genre: Chamber

Composer: Paul Schoenfield

Performers: Charles Neidich, Clarinet; Lev Polyakin, Violin; Frances Renzi, Piano

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Trio For Clarinet, Violin And Piano By Paul Schoenfeld – Score And Parts Sheet Music For Clarinet, Violin And Piano – Buy Print Music AY.MIG10

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Details:

SCHOENFELD: Trio for Clarinet Violin and Piano, movements I, III & IV

Amallegro of Auckland perform at the final of the NZCT Chamber Music Contest 2022, Auckland Town Hall, 6 August 2022.

Recorded by RNZ Concert

Producer: Tim Dodd

Engineer: Adrian Hollay

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사람들이 주제에 대해 자주 검색하는 키워드 Paul Schoenfeld Trio for Clarinet, Violin and Piano (1990)

  • Heewon Uhm
  • Mary Fortino
  • Xiaoya Liu
  • Paul Schoenfield
  • Schoenfeld
  • Schoenfield
  • Trio

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