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Water Rolls, Water Rises/El agua rueda, el agua sube
Evocative watercolors and short, lyrical poems take readers on a trip, “Around our round world” where “water rolls/water rises/under gold sun, …
Source: www.readingrockets.org
Date Published: 8/13/2021
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- Author: VE Content
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- Date Published: 2021. 8. 30.
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Water Rolls, Water Rises
Water Rolls, Water Rises/El agua rueda, el agua sube
Children’s Book Press, illustrated by Meilo So
Download a hi-res jpeg of the book jacket. Here is a poetic ode to the beauty of the natural world as expressed by the movement and moods of water on Earth. With every evocative verse, we visit one of fourteen different water landscapes and cultural areas around the world, each stunningly illustrated with a breathtaking view of a place of natural beauty and conveying a sense of the drama, joy, power, serenity, grandeur, or peacefulness of water. From the Grand Canal of Venice to Qutang Gorge in China, from the Sahara in Morocco to the Andes of Chile, we learn about the world through the lens of water, our most precious, life-giving resource. Meilo So’s illustrations from the book have been chosen for Original Art, the Society of Illustrators’ annual juried exhibition celebrating the fine art of children’s book illustration. See more. See some interior pictures from the book on the Christian Science Monitor’s Children’s Book Gallery. Highlighted Reviews
“Evocative watercolor images and graceful short poems in Spanish and English celebrate water in all its forms and around the world…A lovely bilingual addition to the ‘sense of wonder’ shelf.”
—Kirkus Reviews, starred review
Read full review “Evocative watercolor images and graceful short poems in Spanish and English celebrate water in all its forms and around the world. What appears at first to be a simple expression of the myriad forms of water—from waves to clouds, fog and frost and in lazy marshes, churning rivers, breaking waves and more—becomes a trip around the world as readers come to realize that the locations and people shown are just as wide-ranging. A picture key at the end identifies the location for each illustration. The cover images, the front inspired by Victoria Falls in southern Africa and the back, a geyser in Iceland, set the stage for the variety inside. Mora’s deceptively simple three-line poems are full of imagery, too. ‘In the murmur of marsh wind, / water slumbers on moss, / whispers soft songs far under frog feet.’ (In Spanish: ‘En el viento susurrante de los pantanos, / el agua duerme sobre el musgo, / murmura suaves canciones bajo patitas de ranas.‘) Watercolors are the perfect accompaniment to this pleasing collection, and So’s mastery of her medium is evident in the wide range of her illustrations, some with lines and detail, others with bold brush strokes or delicate shading. She concludes with an image of our watery world and its dry moon from space, an important reminder. A lovely bilingual addition to the ‘sense of wonder’ shelf.”—Kirkus Reviews, starred review “In this bilingual book, Mora uses her travels around the world to talk about water in unique ways, while creating varied and compelling imagery…Younger readers will enjoy the calmness of the words, while older readers will want to imitate the author’s style and try their own hand at descriptive writing.”—School Library Journal
Read full review “In this bilingual book, Mora uses her travels around the world to talk about water in unique ways, while creating varied and compelling imagery. In the Grand Canyon, water is described as “skidding and slipping, swooping round bends, spinning on tree roots, careening down cliffs.” Younger readers will enjoy the calmness of the words, while older readers will want to imitate the author’s style and try their own hand at descriptive writing. So’s watercolor illustrations match the tone of the writing perfectly and capture the different landscapes and cultural nuances. Use this book to introduce the water cycle, land forms, or poetry.”—School Library Journal “Fourteen three-line verses, in English and Spanish, celebrate water in its many forms, from frost and fog to waves and waterfalls. Each verse is accompanied by a majestic double-page-spread painting from a specific place in the world…the poems speak to the wonders of water everywhere…Mora skillfully uses alliteration and assonance in the English versions of the poems…”—Horn Book
Read full review “Water rolls / onto the shore / under the sun, under the moon. / El agua rueda / hacia la orilla / bajo el sol, bajo la luna.‘ Fourteen three-line verses, in English and Spanish, celebrate water in its many forms, from frost and fog to waves and waterfalls. Each verse is accompanied by a majestic double-page-spread painting from a specific place in the world, from Arizona to Zambia, and a visual index at the end of the book tells us exactly which place inspired which painting. Illustrator So provides some unusual perspectives, such as the view from the dynamic waterline of a well, looking up into the faces of Kenyan village women who have just lowered their buckets. Place names are not mentioned in the poems themselves; rather, the poems speak to the wonders of water everywhere, whether it ‘rests, / drowsy in reservoirs’ or ‘plunges, / in thunder’s brash roar.’ Mora skillfully uses alliteration and assonance in the English versions of the poems (‘Swirling in wisps, / water twists then it twirls’)…the poems, read aloud, can be as dramatic as the accompanying illustrations.”—Horn Book “This handsome, bilingual picture book transports children around the world to view water in many forms. Both the images and the evocative, poetic text and verse support the book’s unifying theme of water as a shared resource that takes many forms. A beautiful addition to classroom units on water and a useful gateway to global awareness.”—Booklist
Read full review “This handsome, bilingual picture book transports children around the world to view water in many forms. In the first illustration, kids play at the beach along a rocky sea coast. In the next, people and cats walk through fog along a canal. A night scene depicts an encampment at a desert oasis. Each picture is paired with an evocative verse–e.g., ‘Slow into rivers, / water slithers and snakes / through silent canyons at twilight and dawn’–and its Spanish translation. Both the images and the evocative, poetic text and verse support the book’s unifying theme of water as a shared resource that takes many forms. With a strong sense of line, form, and color, So creates a varied series of intriguing pictures, each with a strong sense of place. For readers wondering where in the world each scene is located, an appended guide offers a miniature of each illustration and identifies each place. A beautiful addition to classroom units on water and a useful gateway to global awareness.”—Booklist “In a bilingual tribute to water with a truly global scope, Mora’s verse and So’s spare mixed-media illustrations swing from placid to tempestuous, creating an effective and fitting ebb and flow. An expressive celebration of the world’s waterscapes.”—Publishers Weekly
Read full review “In a bilingual tribute to water with a truly global scope, Mora’s (I Pledge Allegiance) verse and So’s (Brush of the Gods) spare mixed-media illustrations swing from placid to tempestuous, creating an effective and fitting ebb and flow. A description of a peaceful river scene inspired by the Yangtze (‘Slow into rivers/ water slithers and snakes/ through silent canyons at twilight and dawn’) contrasts with an evocation of a violent Patagonia sea (‘In storms, water plunges/ in thunder’s brash roar,/ races through branches from lightning’s white flash’). So’s palette also shifts to suit the vista: children in Finland play by a brook framed by brilliant fall foliage, while smoky grays dominate a hushed scene featuring the human and feline residents of Venice, enshrouded in fog. Some of the images and allusions suggest water’s life-sustaining power: men fish in India, Kenyan women fetch water from a well, and in the canals of Holland, ‘water streams, water slides,/ gliding up roots of tulips and corn.’ An expressive celebration of the world’s waterscapes.”—Publishers Weekly “Mora’s cadences (in English anyway) succeed magnificently in evoking the beauty and majesty of water in its myriad forms. Read the book enough times and you begin to get a real sense of the rise and fall of water’s actions.”—Elizabeth Bird, Fuse #8
Read full review “Mora’s spare poetry uses effective rhythms and alliteration (“Skidding and slipping, / swooping round bends, / spinning on tree roots, careening down cliffs”) to bring water to life for child readers with an infectious energy.”—Julie Danielson, Kirkus blog
Read full review “Water not only rolls and rises, it slithers, snakes, streams, slides, hums, plunges, skids, slips and much, much more in this language-rich offering.”—Cooperative Children’s Book Center
Read full review “The book blends English and Spanish lyrical imagery with vivid eye-catching illustrations to tell the story of water’s varied forms and locations as it travels the world…would make a nice addition to any home or classroom library. It ties in nicely with language arts, writing, science, or for pure reading enjoyment.”—Cindy Slayton, Teaching the Hudson Valley
Read full review “Emphasis here is on awe — seasons and places shaped by water…Such accessible poems easily serve as an invite for kids to play with words themselves and appreciate life-giving water all at once.”—Susan Faust, SF Gate
Read full review “Beyond scarcity in this drought year, water is also muse for 14 mini-poems in both Spanish and English. Never mind short showers and brown lawns. Emphasis here is on awe — seasons and places shaped by water. Lovely mixed-media landscapes provide context from the hot desert canyon to an autumn birch forest. Global coverage encompasses a Venetian canal, fishing boats off Goa in India, an oasis in the Sahara, China’s Qutang Gorge, the Strokkur Geyser in Iceland and Torres del Paine National Park in Chile. The poetic form is always the same with three lines of free verse, for example, “Water rolls/ onto the shore/ under the sun, under the moon.” (That’s the local Pacific Coast!) A tip for grown-ups: Such accessible poems easily serve as an invite for kids to play with words themselves and appreciate life-giving water all at once.—Susan Faust, SF Gate “An exceptional read-aloud.”—Rebecca G. Aguilar
Read full review “A young audience will appreciate Mora’s free verse in both English and Spanish, making the book an exceptional read-aloud. Stunning seafoam, starry sky and white water illustrations by Meilo So depict the natural beauty of fourteen separate waterscapes around the world.” Read more—Rebecca G. Aguilar “A wonderful resource for teaching geography at any level and in either language.”—Spanish Playground
Read full review “Water Rolls, Water Rises/ El agua rueda, el agua sube brings water to life for children as it shows the way it moves and connects the Earth. The story flows from one beautiful illustration to another, all inspired by water in different parts of the planet…Beginning learners will love the English verse and take advantage of the dual language text to identity words they know in Spanish: el agua, el sol, la luna, la neblina, la calle, el gato, el viento, el aire, los ríos, el maíz, las hojas, los árboles, las estrellas, el mar…The book includes a dual language list of the locations that inspire the illustrations. This addition is a wonderful resource for teaching geography at any level and in either language.” Read more—Spanish Playground “In this collection of bilingual poetry, [Mora] focuses on the beauty of the natural world through the movement and mood of water…So’s watercolor illustrations match the tone of the writing perfectly.”—Mazza Museum
Read full review “Mora, who lives in the Southwest, has always been fascinated with water. In this collection of bilingual poetry, she focuses on the beauty of the natural world through the movement and mood of water. The 14 verses describe water in a unique way, from various sites around the world where Mora has traveled, including the Grand Canal of Venice, Qutang Gorge in China, the Sahara in Morocco, the Andes of Chile, the canals of Holland, the Netherlands, and the Victorian Falls on the borders of Zambia and Zimbabwe. So’s watercolor illustrations match the tone of the writing perfectly and capture the different landscapes and cultural nuances. “—Mazza Museum “Mora celebrates the power and life-giving necessity of water. Each two-page spread addresses a different quality of water through just one poetic sentence. Mora’s writing is beautiful and evocative. So’s mixed media illustrations are stunning. With the large format of a double page spread with which to work, she creates dramatic landscapes and points of view. A beautiful addition to any collection.”—Kutztown University Book Review “This is a lovely and inventive trip around the world which shows us that just as water differs so do the people and places that reap its benefits.”—Sal’s Fiction Addiction
Read full review “Ready for an around-the-world, invigorating, aquatic tour? Readers: get ready to be refreshed, guided by Pat Mora’s verses and Meilo So’s artistry…”—Smithsonian BookDragon
Read full review
11 Best Water Rolls, Water Rises/El agua rueda, el agua sube ideas
“Because if a book like Water Rolls, Water Rises can make me stop and think about the natural world, if only for a second, imagine what it could do for an actual child’s growing brain.”
Water Rolls, Water Rises: El agua rueda, el agua sube
Sometimes I wonder what effect the televised ephemera I took in as a child has had on my memories and references. For example, when I pick up a book like Pat Mora’s beautifully written and lushly illustrated Water Rolls, Water Rises: El Agua Rueda, el Agua Sube I immediately flash back to an old Sesame Street episode I enjoyed as a kid that showed a water sapped desert landscape made vibrant once more with the appearance of rain. Taken by itself, such a ran is an event that happens every day on
Sometimes I wonder what effect the televised ephemera I took in as a child has had on my memories and references. For example, when I pick up a book like Pat Mora’s beautifully written and lushly illustrated Water Rolls, Water Rises: El Agua Rueda, el Agua Sube I immediately flash back to an old Sesame Street episode I enjoyed as a kid that showed a water sapped desert landscape made vibrant once more with the appearance of rain. Taken by itself, such a ran is an event that happens every day on Earth, and as such it’s the kind of thing tailor made to inspire a poet’s heart and mind. Poetry, sad to say, is not a form of literature that I excel in as a student. I can appreciate it, even quote it when called up to do so, but my heart belongs to prose first and foremost. If I have to read poetry, it helps to read the best of the best. Only really stellar poetry can crack my shell of indifference. And when you pair that really good verse alongside art that makes you want to stand up and cheer? That’s when you have a book that won’t just win over crusty old fogies like me, but also its intended audience: kids. Because if a book like Water Rolls, Water Rises can make me stop and think about the natural world, if only for a second, imagine what it could do for an actual child’s growing brain. Better things than old Sesame Street segments, that’s for sure.
We start slowly and watch the roll of the tides and the rise of the fog. The water is blown, then slithers and snakes, and in one particularly beautiful passage glides “up roots of tulips and corn.” After that, things pick up a bit. In swells the water sloshes, in woods it swirls, and it all culminates in storms and thunder and “lightning’s white flash.” Then, just as suddenly, all is calm again. Water rests in an oasis and slumbers in marshes. The book concludes with water joyfully “skidding and slipping”, “looping and leaping” until at last we pull back and view for ourselves our blue planet, “under gold sun, under white moon.” The bilingual text in both English and Spanish is complemented by illustrator Meilo So’s mixed media illustrations and contains both an Author’s Note and key for identifying the images in the book in the back.
Now I’ll tell you right now that I don’t speak a lick of Spanish. I’ve the rudimentary single words and phrases culled from years of watching the aforementioned Sesame Street but there’s nothing substantial in my noggin. Therefore I cannot honestly tell you if the Spanish translation by Adriana Dominguez and Pat Mora matches the English text’s spare verse. Certainly I was impressed with the minimal wordplay Mora chose to use in this book. As someone prone to wordiness (I think the length of this review speaks for itself) I am always most impressed by those writers that can siphon a thought or a description down to its most essential elements. It’s hard to say what you’ll notice first when you read this book. Will it be the words or the art? Mora’s cadences (in English anyway) succeed magnificently in evoking the beauty and majesty of water in its myriad forms. Read the book enough times and you begin to get a real sense of the rise and fall of water’s actions. I also noted that Mora eschews going too deep into her subject matter. The primary concentration is on water as it relates to the landscape worldwide. She doesn’t dwell on something like water’s role in the human body or pepper the text with small sidebars pertaining to facts about water. This is poetry as it relates to liquid. Nothing more. Nothing less.
The bilingual picture book is fast becoming a necessity in the public library setting. Just the other day someone asked if we could have more Bengali/English picture books rather than just straight Bengali, because the parents liked reading both languages to their kids. Yet sadly in the past our bilingual literature has had a rough go of it. Well-intentioned efforts to give these books their own space in the children’s libraries have too often meant that they’re scuttled away in some long-forgotten corner. The patrons who need them most are often too intimidated to ask for them or don’t even know that they exist. So what’s the solution? Interfile them with the English books or all the other languages? Wouldn’t they be just as forgotten in one collection as another? There are no easy answers here and the thought that a book as a beautiful in word and image as Water Rolls could end up forgotten is painful to me.
Since this book travels around the world and touches on the lives of people in different lands and nations it is, by its very definition, multicultural. And to be honest, attaining the label of “multicultural” by simply highlighting different nations is easy work. What sets artist Meilo So’s art apart from other books of this sort is her fearless ability to upset expectations. I am thinking in particular of the image of the wild rice harvest in northern Minnesota. In this picture two children punt a boat through marshland. Their skin is brown, a fact that I am sure Ms. So did on purpose. Too often are white kids the “default” race when books that skate around the world make mention of the U.S. It’s as if the publishers forget that people of races aside from white live in America as well as the rest of the world. As such So elevates the standards for your average round-the-world book.
Every book you pick up and read has to pass through your own personal filters and prejudices before it makes a home for itself in your brain. Let us then discuss what it means to be an English-only speaking American woman looking at this book for the first time. I pick up this book and I instantly assume that the cover is sporting an image of Niagara Falls. On the back of the jacket I come to a similar conclusion that we’re viewing Old Faithful. Thus does the American see the world only in terms of those natural wonders that happen to exist within her own nation’s borders. Turns out, that waterfall on the front is Victoria Falls, found between the countries of Zambia and Zimbabwe. And that geyser? Strokkur in Iceland. With this in mind you can understand why I was grateful for the little key in the back of the book that clearly identifies and labels (in both English and Spanish) where each location in the images can be found. It was interesting too to see each credit saying that the image was “inspired by” (“inspirada por”) its real world equivalent. I’ve been thinking a lot lately about accuracy in works of illustration in picture books. Mostly I’ve been thinking about historical accuracy, but contemporary landscapes raise their own very interesting questions. If Meilo So came up with the “inspired by” label then it may well be that it was thought up to protect her against critics who might look to her view of the Qutang Gorge, say, and declare her positioning of this or that mountain peak a gross flight of fancy. Since she is illustrating both distinct landmarks (the Grand Canyon, Venice’s Grand Canal, the coast of Cabo San Lucas, etc.) alongside places that typify their regions (a fishing boat at sea in Goa, India, a well in a rural village in Kenya, etc.) it is wise to simply give the “inspired by” designation to all images rather than a few here and there so as to avoid confusion.
After soaking in the art page by page I wondered then how much control Ms. Mora had over these images. Did she designate a country and location for each stanza of her poem? The book sports an Author’s Note (but no Artist’s Note, alas) that mentions the places Ms. Mora has traveled too. Look at the list of locations and they do, indeed, appear in the book (China, Holland, Peru, Finland, etc.). So I make the assumption that she told Ms. So what country to draw, though I don’t know for sure.
As a mother of two small children, both under the age of 4, my interest in early brain development has been piqued. And like any mother I berate myself soundly when I feel like my own personal prejudices are being inflicted on my kids. I don’t go gaga for poetry but that doesn’t mean I shouldn’t read it to the kiddos as much as possible. Fortunately, books like Water Rolls, Water Rises make the job easy. Easy on the eyes and the ears, this is one clever little book that can slip onto any home library shelf without a second thought. Sublime.
For ages 4-7.
Water Rolls, Water Rises/El agua rueda, el agua sube
Evocative watercolors and short, lyrical poems take readers on a trip, “Around our round world” where “water rolls/water rises/under gold sun, under white moon.” A brief note from the author and the illustrator provides insight into their inspirations.
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