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John Eliot Gardiner – The English Baroque Soloists, Peter Harvey – bass-baritone\r
\”Ich habe genug\
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Peter Harvey (baritone) – Wikipedia
Harvey is known for his performances of Bach. He was a soloist in the Monteverdi Choir’s Bach Cantata Pilgrimage in 2000; he completed the bass parts in seventy …
Source: en.wikipedia.org
Date Published: 6/16/2021
View: 6840
Peter Harvey, Baritone | Operabase
Peter Harvey | Overview | Baritone | Le Grand Prètre de Jupiter – Castor … (Bass). | Conductor: Jonathan Williams. | Stage director: Guo Martin-Brandis.
Source: www.operabase.com
Date Published: 9/23/2022
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Peter Harvey (bass) – Artist – CDs, MP3 and Lossless downloads
A fluent French speaker, he works and records with La Chapelle Royale/Collegium Vocale Ghent and Philippe Herreweghe, Les Talens Lyriques and Christophe Rousset …
Source: www.hyperion-records.co.uk
Date Published: 11/14/2021
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Peter Harvey (bass) (page 1 of 13) – Presto Music
Browse and buy all ical recordings featuring Peter Harvey (bass).
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Date Published: 11/10/2021
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Peter Harvey (bass): CDs & Vinyl – Amazon.co.uk
J.S. Bach: Mass in B Minor (Yorkshire Bach Choir, Yorkshire Baroque Soloists). by Bethany Seymour (soprano), Sally Bruce-Payne (alto) …
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Date Published: 2/29/2021
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주제와 관련된 더 많은 사진을 참조하십시오 Bach BWV 82-1 Ich habe genug. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 peter harvey bass
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- Date Published: 2010. 12. 5.
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Peter Harvey (baritone)
Peter Harvey (born 1958) is an English baritone. Harvey specialises in Baroque music. However, he also sings works by later composers, including contemporary ones.
Harvey was a choral scholar at Magdalen College, Oxford, where he studied languages before switching to music. He then went to the Guildhall School of Music and Drama in London.[1]
Harvey is known for his performances of Bach. He was a soloist in the Monteverdi Choir’s Bach Cantata Pilgrimage in 2000; he completed the bass parts in seventy cantatas in performance and recording.[1] He has since contributed to the Bach cycle being recorded by the J. S. Bach-Stiftung with the conductor Rudolf Lutz. He also has founded his own group, the Magdalena Consort, which released its first commercial recording in 2014: it consists of Bach cantatas performed “one voice per part”.[2]
Harvey has also collaborated with Harry Christophers and The Sixteen, with Christopher Hogwood and the Academy of Ancient Music, with Gérard Lesne and Il Seminario Musicale, the Orchestra of the Age of Enlightenment and the Gabrieli Consort. He has appeared as St. John in a televised performance of John Tavener’s The Cry of the Icon. In 2007 he undertook a U.S. tour with the Netherlands Bach Society and completed a series of performances of Gabriel Fauré’s Requiem with the Ensemble Vocal de Lausanne, conducted by Michel Corboz, in Japan. With Roger Vignoles, he performed at the festivals in Cambridge and Lugo Schubert’s Winterreise.[1]
Harvey has recorded more than 80 albums, including Bach’s Passions and cantatas, cantatas by Dieterich Buxtehude, motets by Jean-Baptiste Lully, Marc-Antoine Charpentier and Jean-Philippe Rameau, sacred music by Monteverdi and Mozart’s Requiem.[1]
He has been a visiting professor at the Royal College of Music in London.[1]
Selected recordings [ edit ]
References [ edit ]
Peter Harvey Official website
Peter Harvey (Bass-baritone)
Peter Harvey (Bass-baritone) Peter Harvey arrived at Magdalen College, Oxford to study French and German, and though he soon afterwards changed course to music, his love of languages has always remained at the heart of his singing. On leaving university he went on to the Guildhall School of Music and Drama in London, during which time he won prizes in a number of international singing competitions, including the Walther Grüner International Lieder Competition, the English Song Award, and the Peter Pears Award. Peter has made around a hundred recordings in repertoire spanning eight centuries, with an emphasis on music from the High Baroque.
With the English Baroque Soloists and the Monteverdi Choir, directed by Sir John Eliot Gardiner, he was a key participant in the “Bach Cantata Pilgrimage”, recordings of which include the celebrated solo cantata Ich habe genug. More recently he has sung Bach cantatas in the Paris and Leipzig, and he sings Christus in the St John Passion this year in the BBC Proms. A long-standing soloist with Paul McCreesh’s Gabrieli Consort, he sings Adam in their recent recording of Haydn’s Creation (winner of a ‘Grammy’ Award), also appearing in recordings of St Matthew Passion (Bach), Solomon (Handel) and the Monteverdi Vespers (all Deutsche Grammophon) and in concerts including the Châtelet (Paris), Lincoln Center (New York) the Barbican (London). He has recorded much early Bach with the Purcell Quartet and Emma Kirkby (Chandos), and with London Baroque he recently issued a disc of Rameau’s secular cantatas (BIS). He has appeared with the Sixteen (BBC Proms, Spain, Brazil) and sings regularly with the Orchestra of the Age of Enlightenment under Ivan Fischer and Gustav Leonhardt, recently performing the St John Passion in London, Seoul and Tokyo. Peter sings often with the BBC National Orchestra of Wales at the St. David’s Hall, Cardiff (Creation, Christmas Oratorio) and sang Schubert’s Mass in Eb with the BBC Symphony Orchestra with Sir Colin Davis.
A fluent French speaker, Peter Harvey has worked for many continental groups, in particular the Chapelle Royale and Collegium Vocale of Ghent (Philippe Herreweghe), with whom he has made many recordings, including CPE Bach’s Auferstehung und Himmelfahrt Jesu (Opéra Garnier, Paris). He has sung with Christophe Rousset’s Les Talens Lyriques in the Opera at Versailles, whilst with Le Concert Spirituel, directed by Hervé Niquet, he has made countless recordings of the sacred repertoire of the French Baroque, Purcell’s Dido and Aeneas and King Arthur (Concertgebouw, Amsterdam, and Opéra Comique, Paris), and La Cambiale de Matrimonio (Slook) by Rossini. Recordings with Il Seminario Musicale and the French counter-tenor Gérard Lesne include such rarities as Scarlatti’s oratorio Sedecia, and Galuppi’s engaging Confitebor tibi Domine, and he has performed often with Jean-Claude Malgoire. His long association with the Swiss conductor Michel Corboz, has taken him throughout France, Switzerland and Japan (Mendelssohn’s Elijah, Bach’s Passions), and produced various recordings, including two versions of the Requiem by Fauré, the latest of which won a “Choc de l’année” in Le Monde de la Musique.
The Netherlands Bach Society have recorded Mozart’s Requiem, Bach’s Christmas Oratorio and B minor Mass with Peter (recently at the Tanglewood Festival, USA), and also given the little known St John Passion by Georg Gebel in a televised performance at the Amsterdam Concertgebouw, broadcast last Easter. With Ton Koopman he has performed Bach in the Musikverein (Vienna), Théâtre des Champs Elysées (Paris), in Verona and Rome. In Germany he sings with Berlin Radio Symphony Orchestra, La Stagione, Frankfurt (Athalia, Handel Festival, Halle), and with Frieder Bernius’ Stuttgart Chamber Choir, with whom he recently performed and recorded ‘Messiah’.
He is returning increasingly to the Song repertoire, performing Schubert’s ‘Winterreise’ with Roger Vignoles in festivals in Cambridge and Lugo, Spain, and has recorded the work with fortepianist Gary Cooper for Linn Records – Gramophone’s 2010 Label of the Year. He has given recitals in festivals in Britain, Canada and France, and recorded Beethoven settings of Scottish folksongs with Jérôme Hantaï’s fortepiano trio (for Naïve). Other recitals include early Lieder with Laurence Cummings, Mozart in Barcelona and a programme of Lute Songs and Lieder in London’s Purcell Room with Matthew Wadsworth (lute and 19th century guitar) and Gary Cooper.
The major 2009 anniversaries have taken him as far afield as Calgary, Berlin, Cremona, and Moscow to sing Handel’s ‘Messiah’ (which he also recorded with the Stuttgart Chamber Choir), and in July Peter sang the role of Adam in the Gabrieli Consort’s BBC Promenade concert of Haydn’s ‘Creation’ in the large-scale version, the recording of which won the 2008 Grammophone Prize. At Easter last year he had the great honour to sing the St. Matthew Passion with the Boston Symphony Orchestra in Bernard Haitink’s first performances of the work. Peter founded and directs the Magdalena Consort, which focuses on the vocal music of J.S. Bach, with concerts in Santiago de Compostela, Spain, and in the ‘Bach Church’ in Arnstadt, Germany for Mittel Deutsche Rundfunk.
Peter Harvey
“Harvey, meanwhile, confirmed his status as one our finest baritones with his beautifully modulated singing in ‘Wondrous machine!'”
“It is a sober, intelligently thought through, and beautifully sung Winterreise”
This biography is for information only and should not be reproduced.
As well as German and English Renaissance and Baroque repertoire, Peter Harvey has gained acclaim for his recordings of works of the French Baroque as well as later works, including his award-winning recordings of Haydn’s Creation and Fauré’s Requiem.
As well as his work with renowned Early Music specialists such as Sir John Eliot Gardiner, Philippe Herreweghe, Masaaki Suzuki, Christophe Rousset, Hervé Niquet, Ton Koopman, John Butt, Paul McCreesh and the late Gustav Leonhardt and Michel Corboz, he has also performed Bach’s works with ensembles including the Boston Symphony Orchestra/Bernard Haitink, Orchestre symphonique de Montréal/Kent Nagano, Rotterdam Philharmonic/Lahav Shani, Symphonieorchester des Bayerischen Rundfunks and Oslo Philharmonic/both Herbert Blomstedt.
British baritone Peter Harvey has released more than 150 recordings in repertoire spanning eight centuries, with a focus on the High Baroque and the works of J.S. Bach in particular.
St John Passion (Christus)
Bachfest Leipzig, June 2022
“…(Johannsen) paints with his vocal timbre, the colouring of his vowels, the intensity of his consonants (…) and sounds beautiful in every register and at every volume. Velvety bass-baritone Peter Harvey in the role of Jesus is his partner on eye-level, gentle but voluminous.”
Peter Korfmacher, Leipziger Volkszeitung
Bach St Matthew Passion (Jesus), Gaechinger Cantorey
Accentus Music ACC30535 (March 2021)
…you know you’re in good hands from the outset, as is also true of Peter Harvey’s knowing and sympathetic Christus.
Jonathan Freeman-Attwood, Gramophone
Bach B minor Mass, The Bach Choir
Royal Festival Hall (February 2020)
Baritone Peter Harvey has a warm, creamy timbre, comfortable in the lyrical upper reaches of ‘Et in spiritum sanctum’.
Benjamin Poore, MusicOMH****
Bach Cantatas, Gaechinger Cantorey, Accentus ACC30466
(September 2019)
Peter Harvey’s solicitous Vox Christi in the first recitative leads into an articulate dialogue aria with Nadja Zwiener’s concertante violin (‘Welt, ade, ich bin dein müde’).
David Vickers, Gramophone
It would be hard to fault Peter Harvey’s singing on Accentus
Brian Wilson, MusicWeb International
Ornate Lieder, York Early Music Festival, National Centre for Early Music
(July 2019)
Tenor James Gilchrist and baritone Peter Harvey made it a vibrant, involving recital. Vocal decoration, while often obvious, rarely distracted from expressive purpose. In a sequence of songs by Schubert’s older contemporary Zelter, Harvey’s beauty of tone and serenity in Ruhe – a fleeting glimpse of heaven on earth…
Robert Gammon, The York Press
Bach St Matthew Passion, Nederlands Kamerorkest
(April 2019)
The divine peace in Peter Harvey’s (Christ) voice is more than special.
Frederike Berntsen, Trouw
Bach St Matthew Passion, Holland Baroque
(March 2019)
…tenor Benedikt Kristjansson and bass Peter Harvey showed that they have an excellent Evangelist and Christ in the house.
Joep Christenhusz, NRC Handelsblad
Bach: Cantatas
Monteverdi Choir and English Baroque Soloists (June 2018)
Baritone Peter Harvey retains the round, warm tone that makes his recitatives so immediate and expressive.
Gavin Dixon, The Arts Desk*****
…poised solos from … Peter Harvey
Anna Picard, The Times
Handel: Brockes-Passion
Concerto Copenhagen (March 2018)
Peter Harvey (Jesus) and Gwilym Bowen (Peter) demonstrated that the more naturally you sing, the more human the result. They restricted their approach to simple vocal expression, beautiful and decisive, and in doing so underlined the purity of Handel’s musical signature.
Frederike Berntsen, Trouw
Handel: Occasional Oratorio
Akademie für Alte Musik Berlin, BR Klassik 900520 (June 2017)
Peter Harvey’s diction, vocal suavity and persuasive authority are all spot-on…Another extraordinary set piece is the verse-anthem-style ‘To God, our strength, sing loud and clear’, which starts with Harvey’s eloquent introduction
David Vickers, Gramophone Special Awards
In the bass part Peter Harvey’s rich and durable voice complete with near flawless diction is ideal for the role. He displays lucid expression and unerring conviction. … Harvey is in especially striking form in the part-two aria for bass and chorus “To God, our strength, sing loud and clear”. It is a precious gem with distinctly attractive wind accompaniment.
Michael Cookson, Musicweb International
…he is fervent and dignified in the glowing texture of ‘To God our King’
Curtis Rogers, Musicweb International
…bass Peter Harvey and soprano Julia Doyle make a tuneful and idiomatic contribution.
D.James Ross, Early Music Review
CDs, MP3 and Lossless downloads
Peter Harvey arrived at Magdalen College, Oxford, to study French and German, and though he soon afterwards changed course to music, his love of languages has always remained at the heart of his singing. He went on to study at the Guildhall School of Music, where he won prizes in a number of international singing competitions.
He has made around a hundred recordings in repertoire spanning eight centuries, with an emphasis on music from the High Baroque. He works regularly with the English Baroque Soloists and Monteverdi Choir, directed by John Eliot Gardiner, Gabrieli Consort and Paul McCreesh, The King’s Consort, Netherlands Bach Society, Purcell Quartet and London Baroque, as well as appearaning with The Sixteen and Harry Christophers, Orchestra of the Age of Enlightenment, BBC National Orchestra of Wales and BBC Symphony.
A fluent French speaker, he works and records with La Chapelle Royale/Collegium Vocale Ghent and Philippe Herreweghe, Les Talens Lyriques and Christophe Rousset and Le Concert Spirituel and Hervé Niquet. His long association with Michel Corboz, has taken him throughout France, Switzerland and Japan. Other conductors he has worked with include Ivan Fischer, Gustav Leonhardt, Colin Davis, Ton Koopman and Bernard Haitink (with the Boston Symphony Orchestra).
He founded and directs the Magdalena Consort, which focuses on the vocal music of J S Bach and they have given performances in Spain, Germany and the UK.
Peter Harvey (bass) (page 1 of 14)
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